James is Percival Everett's answer to Mark Twain's Huckleberry Finn. Like Huckleberry Finn, it is narrated by the eponymous character, in this case, Jim, the runaway…
What I'm Reading
Book discussions with a focus on the writer's craft
Writers' Toolbox
Elements of craft discussed in this blog.
- Fictionalizing an historic figure (2)
- Using the structures a character creates as a window into the character (2)
- Writing about a sibling relationship (2)
- Preparing for an unexpected turn (2)
- Defining character through dialogue (2)
- Witholding information to create a magnetic character (2)
- Retelling the Oedipus Myth in a gender-fluid and time-fluid story (1)
- Staging a surprise ending (1)
- Using backstory to enhance the reader's empathy for a character (1)
- Avoiding sensationalism in a novel about the abuse of boundaries (1)
- Giving the reader more information than the protagonist has (1)
- Maintaining two narrative timelines (1)
- Making a character come alive through visual details (1)
- Rising action leading to a climactic scene (1)
- Preparing for the extraordinary by evoking the mundane (1)
- Using a flat character to add momentum to a narrative (1)
- How extended dialogue can prepare for a moment of decision (1)
- Reinventing a well-known character (1)
- A story within a story (1)
- Developing character through visual transformation (1)
- Understanding the effects of using white space and the present tense (1)
- Creating an unmoving presence at the center of a novel (1)
- A novel with contradictory parts (1)
- Advance Preparation (1)
- Using objects to create time markers in a fluid timeline (1)
- Changing the point of view to add emphasis (1)
- Setting a performance within a novel: what it can achieve (1)
- Hiding the narrative design (1)
- Creating a guide character (1)
- The long approach: Opening a novel with a sweeping introductory vision (1)
- Creating a shadowed life: the slow trickle of an unsettled past (1)
- Using an object to reveal and distinguish a character (1)
- Setting up a reversal (1)
- Using a first person voice to drive the narrative (1)
- Withholding the novel's intention (1)
- Using a small space to build tension between two characters (1)
- Planting a seed of disorder within each character to grow into a believable chaos (1)
- Sustaining a core mystery (1)
- Using mystery to define the limits of a character's experience (1)
- Using an image to show what the character is feeling (1)
- The Ticking Clock: Using the calendar to escalate tension (1)
- Building a novel around a single theme (1)
- Achieving transparency in scene and dialogue to reveal emotional turmoil (1)
- Balancing a novel's emotional terrain through character (1)
- Using plot to create false assumptions about what will happen. (1)
- Connecting different characters through the unifying element of shared disorder (1)
- Developing a strong narrator presence through tone (1)
- Creating mystery in the first chapter (1)
